InThe Writing CooperativebyAimee LiuNotes On a Big-Deal Book DealCurrent intel from the Big 5 publishing trenchesFeb 833Feb 833
InBooks Are Our SuperpowerbyAimee Liu‘Snapshots’ of Essay, Image, and Book BusinessA conversation with Dinah Lenney about her new ekphrastic anthology ‘Snapshots’Feb 618Feb 618
InScreenwriting & StorytellingbyAimee LiuSlice-of-life Writing Is Bull***tHow Robert McKee taught me to salvage my first novelJan 85Jan 85
InBooks Are Our SuperpowerbyAimee LiuHonor the Music of Everything With ‘Third Ear’!A conversation about deep listening with Elizabeth RosnerDec 25, 202418Dec 25, 202418
InThe Writing CooperativebyAimee LiuCan Your Readers Picture What’s On the Page?How to prevent your prose from going darkNov 17, 20241Nov 17, 20241
InBooks Are Our SuperpowerbyAimee LiuWhy Is Irony Like a Roller Coaster?Percival Everett will show you how this literary superpower worksOct 28, 202419Oct 28, 202419
InThe Writing CooperativebyAimee LiuOne Publisher’s Secret Formula for Identifying Potential BestsellersThe 3 M’s that will sell your bookOct 19, 202412Oct 19, 202412
InThe Writing CooperativebyAimee LiuIs Your Memoir a Fish?This structure could save your storySep 26, 202444Sep 26, 202444
InThe Medium BlogbyThe Medium NewsletterPublic speaking tip: Believe you know something worth sharingIssue #162: on using doors in video games, what MFA annotations can teach writers, and radical attentionSep 12, 202413Sep 12, 202413
InThe Writing CooperativebyAimee LiuMemoir As Road TripMake sure your readers join you — and stay for the whole rideAug 20, 202424Aug 20, 202424
InAsian American Book ClubbyAimee LiuThis Annotation Will Teach You to Read Like a Writer!Decoding E.J. Koh’s memoir ‘The Magical Language of Others’Aug 13, 20243Aug 13, 20243
Aimee LiuGenesis of a NovelFinding my ‘Glorious Boy’ in the Andaman Islands’ colonial pastJun 1, 2020Jun 1, 2020
InThe Writing CooperativebyAimee LiuMy Last Proposal Led to a Six-Figure Book DealHere are the book proposal basics that helped clinch the saleJul 6, 202441Jul 6, 202441
InScreenwriting & StorytellingbyAimee LiuStorytellers, Was the Debate the “Negation of the Negation” of President Biden’s Narrative?Campaigns have much to teach — and learn — about plot and characterJun 29, 20243Jun 29, 20243
InScreenwriting & StorytellingbyAimee LiuEvery Tale is a Tale of Two StoriesHow Maegan Houang embedded the macro story of China’s history with the U.S. inside her micro film about the first Chinese woman in AmericaJun 25, 202412Jun 25, 202412
Aimee LiuOpening & Closing as a WriterTwo schools of thought, or two halves of a whole?Jun 10, 20243Jun 10, 20243
InZORAbyAimee LiuCrossing Cultures in Marriage & LifeAn interview with memoirist Susan Blumberg-Kason about the ‘Good Chinese Wife’May 22, 20241May 22, 20241
InBooks Are Our SuperpowerbyAimee LiuBernardine in Old ShanghaiAn interview with biographer Susan Blumberg-Kason about ‘Bernardine’s Shanghai Salon’May 11, 20241May 11, 20241
Aimee LiuExpose Your Characters With Revelatory DialogueTalk on the page must be concentrated, layered, and stealthyMay 12, 202412May 12, 202412